Data

The presentation treats the following questions: What kind of meta data (personal, technical, etc.) and for how long should it be collected, stored and disclosed in a born-digital interview archive? How the meta data should be collected, extracted and analysed within an Oral History research project and beyond? Is the transcription always needed or an index would be sufficient?

Expert interview to develop future scenarios for what a cultural heritage digital infrastructure at a national or transnational level could look like.

The Presbytery of the Robert Schuman house hosted a one-day workshop about children, welfare, and borders, bringing together scholars from across Europe to collaborate on a special issue edited by Prof. Machteld Venken (C²DH) and Dr. Dominika Gruziel (EUI).

Situated in the centre of Europe and bordered by France and Germany, the Grand Duchy of Luxembourg is a multicultural, multilingual and a cross-border area par excellence. With a level of material well-being more than 37% above the European average, an unemployment rate of 5.2% and sound public finances, Luxembourg is currently one of the of the most politically stable and prosperous countries in the world, well-known for its social model.

Inégalement préservés, les RSN entrent dans les enjeux d’archivage du web de manière plus ou moins précoce. La Bibliothèque nationale de France [BnF] a archivé Dailymotion entre 2007 et 2013, Twitter depuis 2012 et YouTube à partir de 2017. L’Institut national de l’audiovisuel [Ina] archive YouTube et Vimeo depuis 2009-2010 et Twitter depuis 2014. Si toutes les plateformes ne bénéficient pas encore d’une activité de captures régulières, de nouveaux projets de collecte améliorent la couverture. Ainsi la BnF gère des collectes Instagram depuis 2020 et TikTok depuis 2022.

Digital humanities has a critical role in the progress of the data visualisation field. First, humanities scholars engage with the concept of knowledge as interpretation. Second, they leverage computational tools and statistical methods to analyse and visualise data and metadata. Finally, Digital Humanities projects are a space for experimentation where different epistemic cultures (which often go beyond the Humanities and Computer Science) negotiate new forms of knowledge.

This poster delves into the intricate interplay between global expectations for research in contemporary history, the evolving landscape of digital curation, the imperative for efficient research data management, the creation of a well-structured and effective plan for digital infrastructure by emphasizing the significance of developing a comprehensive framework for the analysis and interpretation of contemporary history.

This chapter explores the evolving landscape of web archiving. It considers how web archives document challenging times, may help to analyse them, and respond to events, disruptions, social demands, and crises. It examines emergency response practices and research trends. The chapter also addresses current and forthcoming challenges such as adapting to platformization, AI, the closure of APIs, and evolving legal frameworks.

The history of the French-Luxembourgish border has been marked by the rapid growth of the iron and steel industry and the massive influx of immigrants coming to work in this cross-border industrial region. Employing a microhistorical lens and a relational approach, this doctoral research explores how border regimes were transgressed by everyday smuggling or subverted by Italian communist networks in the interwar years.

Taking Italo Calvino’s Six Memos for the Next Millennium as a starting point for a conversation about the epistemic virtues in the Digital Humanities, Andreas Fickers and Annie van den Oever discuss a rejection of the normative tradition of honing an ideal-typical definition of what makes “good science” in favor of an exploration in the phenomenological descriptive tradition of epistemic norms (values) as internalized by scientists. They reflect on the six epistemic virtues that could be instrumental in prompting

In the fall of 1940, the Chef der Zivilveraltung demanded that each person considered Jewish and still present in Luxembourg declare all their assets on forms designed for this purpose: the Verzeichnisse über das Vermögen von Juden (declarations of Jewish assets).

This article centres on a comparison of the persecution and dispossession of Jews and forcibly resettled Luxembourgish families, referred to as Abgesiedelte, during the Second World War in Luxembourg. It investigates how the German occupation authorities used the confiscation of property from these groups to foster a sense of allegiance to the German “people’s community” (Volksgemeinschaft) within the territory.