Data

A collection of thematic ePublications on the European integration process from 1945 to 2014. An analysis of a range of subjects based on an extensive and contextualised selection of more than 25.000 relevant and enriched multimedia, multisource and multilingual documentary resources.

Événement proposée par le CDMH - Centre de documentation sur les migrations humaines (salle 2a) Avec Inna Ganschow, journaliste et universitaire spécialisée dans le domaine de l'histoire du Luxembourg et de l'histoire de l'URSS. L'ouvrage met en lumière la vie quotidienne et les conditions de travail des travailleuses forcées soviétiques au Luxembourg pendant la Seconde Guerre mondiale. Conférence en allemand. Interprétation simultanée en français et en anglais.

The book “´No one cried, there were no more tears´. Ukrainian, Belarusian and Russian Female Forced Laborers in Luxembourg during the Second World War from a Transnational Perspective”, published by capybarabooks and the C²DH, sheds light on the everyday life and working conditions of Soviet forced laborers in Luxembourg during the Second World War. How did they experience the hard times under the German occupation, and how did these experiences shape their later lives?

Participation to a panel organised by Mats Fridlund (University of Gothenburg, Sweden) : Towards Responsible DH: Practices of Critical and Caring DH (short presentation and discussion) Valérie Schafer explores how researchers can balance the objectives of historical documentation with ethical considerations in digital heritage research, particularly when dealing with personal data and born-digital materials.

Am Kader vum 80. Anniversaire vum Enn vum Zweete Weltkrich invitéieren d’Diddelenger Geschichtsfrënn, als Ofschloss vun hirer Assemblée Générale, op eng spannend Konferenz vun der Historikerin Dr. Inna Ganschow. Am Laf vum Mäerz wäert och hiert neit Buch "Keiner weinte, es gab keine Tränen mehr: Ukrainische, russische und belarussische ZwangsarbeiterInnen in Luxemburg im Zweiten Weltkrieg aus transnationaler Sicht" erauskommen.

This monograph examines the interrelationship between politics and modernist architecture in interwar Belgium, focusing on political, architectural, and administrative elites as propagators of new ideas of governance. While Belgium was strongly influenced by neighbouring France and Germany, it also developed its own avant-garde approaches to socio-political problems. In the second half of the 1930s, the country was the scene of a remarkable political and architectural experiment involving an ambitious plan for the large-scale construction of modernist government office buildings.

The article treats the unpublished manuscript of the memoirs of forced labor in Differdange was called “History of My Generation” by its author, Maria Talpa (1926-1997) from Ukraine.

Abstract

Entre 2013 et 2023, un collectif d’historiens a publié une série de six volumes sur l’histoire de la Communauté germanophone de Belgique, entité fédérée dans l’Etat fédéral belge située à la frontière avec l’Allemagne, les Pays-Bas et le Luxembourg (1). Le volume 4, paru en 2019, traite de la période 1919-1945 qui comprend les trois changements de nationalité de 1919-20/1940/1944 du territoire alors connu sous la désignation d’Eupen-Malmedy entre l’Allemagne et la Belgique.

The contribution of CD-ROMs to the media and technology landscape is often overlooked, although it was highlighted in the fields of creativity (Lessard, 2018) and video gaming (Therrien, 2019). Their role as bridge technology is one aspect that has received little attention, while their impact was significant: CD-ROMs were pivotal connectors facilitating early Internet and Web access (Schafer, 2022).

In the late 1980s and early 1990s an era of “new media” opened, full of the promises of multimedia, while databases emerged as the new “symbolic form” (Manovich, 2002), and interactivity turned into a buzzword. Our proposal revisits this history through one “transmedia” and “boundary” object: CD-ROMS in Print books. These catalogs of more than a thousand pages aimed to list, classify, and describe all available CD-ROMs of the time.

Lecture in the Introduction to Digital Humanities seminar for Master in Digital Humanities at the University of Athens.