Abstract
In this article, I explore how public participation affects the research and production of history. As a way of making history more accessible, more participatory, and more connected to present-day public engagement with the past, public history fully belongs to the public humanities. In public participation as decentralization of the history-making process: the HistorEsch project in Luxembourg, I discuss the collaboration among historians, artists, and local residents to co-construct new public historical narratives of the town of Esch-sur-Alzette, in Luxembourg. As a paradigm, public history questions and reinvents the role of professional historians who share authority with other actors in the history-making process.
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